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InShadow Festival ~ CALL FOR ENTRIES

InShadow Festival welcomes works in the genres videodance, documentary, performance (solos) and installation,

running for a total of 9 awards attributed by 6 juries.  5th InShadow - International Festival of Video, Performance

and Technologies runs from 29th November to 7th December 2013 at São Luiz Teatro Municipal and other

theatres, museums, galleries and othewr venues in Lisbon.

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Check here the call for entries and find how to submit your work. 

Submission is FREE OF CHARGE!

We're looking forward to receive your works :)

 

InShadow Festival is on Facebook. 

Join us and spread the word!

A little token - last edition's spot here.

 

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GVA SESSIONS 2011 // CALL FOR APPLICATIONS

GVA Sessions 2011 Dialog: Sound and Movement July 16th - 23rd 2011

GVA Sessions is an interdisciplinary research and international exchange platform organized by the Gilles Jobin Company, geared to respond to the ever changing artistic environment of the performing arts, primarily contemporary dance, music and related creative technologies.

The GVA Sessions 2011 we will be focusing on exploring one of the longest established collaborative partnerships in the performing arts: that between choreographer and composer, choreography and music. This year, it will offer a mixed format providing a collaborative space for different types and levels of knowledge, artists research and production.

Since 2007, the GVA Sessions have led knowledge exchange gatherings inviting international creative arts practitioners to Geneva (Switzerland) with the goal to share their artistic inquiry, think  and create together, in an informal collaborative yet rigorous setting.
GVA Sessions is offered to the selected participants through a grant. More infomation on the website of the Cie Gilles Jobin.

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The GVA Sessions 2011 will take place in Geneva in July as an eight days seminar-workshop. It offers to the participants a hybrid collaborative format that will have two intersecting instances:

1. Perspectives and Frames International Seminar : July 16  - 17   2011
We will start a two day seminar over the weekend with an international guest group of choreographers, composers and interdisciplinary artists who will dissect and discuss with participants their recent work and practices, exploring the practical and conceptual challenges involved in the composition of choreography, music and sound.

Speakers :
Cristian Vogel (composer), Myriam Gurfink (choreographer), Cindy Van Acker (choreographer), Ariella Vidach & Claudio Prati (interdisciplinary artists), Anna Huber (choreographer), Jennifer Bonn (composer), Kasper T Toeplitz (composer), Christian Garcia (composer), Perrine Valli (choreographer), Eric Linder (composer), Andre & Michel Decosterd (music & architecture), Adam Harper (composer, musicologist), Daniel Schorno (composer), Jérome Soudan (composer), Robin Rimbaud (composer), Muriel Romero (choreographer) & Pablo Palacio (composer).

2. Collaborative Lab : July 18  - 23  2011
Monday begins six days of workshop at the Gilles Jobin Company studios where concepts and ideas will be explored and embodied by the GVA Sessions participants in different collaborative configurations. The first 5 days will start with a 90 minutes warm-up leaving the rest of the day for encounters, informal collaborations and self-organizing creative projects.

GVA Sessions 2011 culminates  eight days  of creative explorations with an informal showing session open to the public on Saturday July 23rd 2011.
Other stimulating activities have been scheduled  for two evenings during the week.

GVA Sessions 2011 are oriented to:
Professional dancers, performers, choreographers, composers, musicians, researchers and interdisciplinary artists.

Application process:
Participants  for the GVA Sessions 2011 will be selected via application.
GVA Sessions 11 is limited to 18 participants.

How to apply:
GVA Sessions 2011 will use the GVA Dance Training website for the application:
http://gvadancetraining.ning.com/

Procedure:
- Sign up to the GVA Dance Training website and fill out the profile questions (top right cornerof website).
- Include in your GVA Dance Training profile your bio, picture, meaningful projects and collaborations.
- Upload  at least 5 photos and useful online references to your work.
- Send and email to gvasessions11@gillesjobin.com with a short statement of interest including previous dance and music collaborations (if any) and your reasons why would you like to attend to this event.

Deadline for applications : May 30th of 2011

Inquiries : gvasessions11@gillesjobin.com

Acceptance will be notified in June 2011 via email

NOTE: the selected participants must commit to attend the complete program and  they would be asked for a deposit of 300 CHF to reserve the spot in the event. Deposit will be returned after completion of the sessions.

GVA Sessions 11 Production Team:
Gilles Jobin/General Direction
Marlon Barrios Solano/Project Leader/Research Associate
Cristian Vogel/Research Associate
Melanie Rouquier/Production
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Call for papers

Music and Gesture : 2nd Musical Itineraries Forum

Lisbon, Portugal, 28 and 29 October, 2011 

 

The Center for the Study of Sociological and Musical Aesthetics – CESEM (Faculty of Humanities and Social Sciences, University NOVA of Lisbon), announces the call for papers for the 2nd Musical Itineraries Forum: ‘Music and Gesture’ taking place in Lisbon, 28 and 29 October 2011.

 

The Musical Itineraries Forum was established in 2010 as a meeting place for interdisciplinary debates and presentation of scientific projects, encouraging the discussion between researchers, performers, students and creative artists. This Forum promotes an open critical reflection on contemporary subjects in artistic practices fields and music and sound discourses and its relationships with other disciplines. Its main purposes are: 1) to address innovative areas of research in the fields of music and sound and establish synergies between a variety of scientific and artistic domains providing e opportunities for meeting and discussion between artists and researchers from diverse origins, as well as  promoting the crossover between theory and practice; 2) to establish dynamic and interdisciplinary methodologies that will contribute to  “the state of art” advances in this field of study, revisiting and highlighting scientific questioning and providing the opportunity for collaboration between national and international researchers.

 

The 2nd Musical Itineraries Forum, dedicated to music and gesture will focus on the study of the relationships between sound, music, gesture, performing arts and technology.  A reflection on how the discourses of identity, culture, power and knowledge are encoded in body gestures involved in artistic expression, links the main lines of thought to be presented at this Forum. Theater, dance, audiovisual, new technologies, and their crossover with sound and musical expression are the areas on which reflection and debate will be developed, particularly in relation to the representation and dramaturgy of gesture. Keynote speakers will include Atau Tanaka (Director of Culture Lab, Newcastle University), Adam Parkinson (Culture Lab, Newcastle University) and Paulo Ferreira de Castro (Universidade Nova de Lisboa).

 

We invite all those interested to submit their paper proposals for a 20-minute presentation, on the above topics and including title, abstract (up to 2000 characters) and five keywords. We also request a brief biography  (up to 1500 characters), a phone number and an email address, as indicated on the attached form. Proposals should be submitted via email until 16th March 2011 to itinerariosmusicais@gmail.com and cesem@fcsh.unl.pt.

 

The acceptance of proposals will be communicated until the 10th of April 2011. All additional informations on  the 2nd Musical Itineraries Forum can be found at the CESEM’s website: http://cesem.fcsh.unl.pt.

 

Forum Topics:

1.     Gesture, Body, Sound and Space

  • Gesture dramaturgies in a performative context. Sound and visual interaction and bodily  representation.
  • Relationships and ruptures between sound, visual and scenic arts. Gesture and sound expression onstage (classical, virtual, public, hybrid… ): opera, theater, dance, audiovisual, and other artistic expressions and practices.
  • Sound production gestures, embodying, technology and performance.
  • Information sources for musical and scenic gesture theatrical piece, opera and ballet libretto, film script, iconography…). Problematics of movement notation.

 

2.   Sound, Gesture, New technologies

  • Body virtualities, interactive gesture and sound production: problematics, potentialities and interdependences.
  • Gesture and virtual sound spaces creation. Virtual gesture and playability: sound and videogames, gesture and sound representation reciprocity.
  • Performing arts and new technologies of sound and gesture: body and instrument extension, post-human body, meta-body and meta-instrument.
  • Semiotics, semiology and digital semantics: transcription and representation  of sound gesture.
  • Phenomenological aspects: experience and analysis of gesture’s embodying.

 

3. Sociology of Performance Practices: discourse, representation, power and mediation

  • The power discourses, knowledge, culture and identity in gesture, choreography, staging and the performing arts.
  • Institutional aspects, markets, production networks, industry and public of performative arts.
  • Performative gesture representation in the visual arts: film, literature and other collective cultural practices.

 

4. Gesture Ontologies and Performative Practices

  • Gesture, communication, language.
  • Theoretical and historical studies of gesture and body in performance practices. Iconographic sources and dance treatises. Choreographic notation issues  in historical musical sources.

 

 

By decision of the Scientific Committee any proposals that do not address these topics  may however be included in a free communication  session.

 

Coordination:

Paula Gomes Ribeiro and Isabel Pires

 

Scientific Committee:

Carlos Sena Caires (EA / UCP), Isabel Pires (CESEM / UNL), Isabel Valverde (IHSIS), Luís Sousa (CESEM / UNL), Paula Gomes Ribeiro (CESEM / UNL)

 

Organizing Committee (CESEM):

Beatriz Serrão, Ernesto Donoso, João Romão, Luzia Rocha, Manuela Oliveira, Rui Araújo

 

Calendar:

Proposal Submissions: from 20th January to16th March 2011

Acceptance Notification: until April 10th 2011.

 

Language:

Portuguese, English and French

 

Subscriptions:

Subscription with communication including two meals : 50€

Subscription with communication without meals : Free

Entrance is free

 

Organization:

CESEM, FCSH, UNL

 

 

Subscription Form / Proposals Submission

2nd Musical Itineraries Forum: Music and Gesture

Lisbon, 28 and 29 October 2011

 

Please complete the following information and send to itinerariosmusicais@gmail.com and cesem@fcsh.unl.pt

 

First Name:

Last Name:

University or Institution / Profession:

Address:

City:

Postal Code:

Country:

Telephone / Mobile:

Email:

 

Paper Title

Abstract (up to 2000 characters):

5 keywords:

 

 

 

Supplementary Informations:

 

Musical Itineraries Forum : itinerariosmusicais@gmail.com

 

CESEM (Centro de Estudos de Sociologia e Estética Musical)

Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa

Av. de Berna, 26-C 1069-061 Lisboa Portugal

cesem@fcsh.unl.pt

http://cesem.fcsh.unl.pt

Tel. (351) 217 908 300 ext. 1496 Tm. (351) 96 555 37 55

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CONVOCATORIA VIDEODANZA CHILE

FIVC, FESTIVAL INTERNACIONAL DE VIDEODANZA DE CHILE 2009 Santiago - Valparaíso CAÍDA LIBRE convoca a todos los artistas Chilenos residentes o no residentes en territorio nacional a enviar obras de videodanza para entrar en la etapa de selección del FIVC, Festival Internacional de Videodanza de Chile a realizarse durante el mes de enero en Santiago y Valparaíso. El FIVC en su primera edición cuenta con el apoyo cultural de importantes festivales internacionales de videodanza del mundo, como el “Danca em Foco” de Brasil, “SHOOT” de Suecia, “FRAME” de Portugal, “FEDAME” de México, “Imagen en Movimiento” de Colombia, “Festival Habana Vieja Ciudad en Movimiento” de Cuba y el Circuito de Videodanza del Mercosur. Además cuenta con el patrocinio del MAVI Museo de Artes Visuales y el Centro de Extensión del CNCA que conjuntamente con el área de Danza del Consejo de Cultura y las Artes de Chile, han financiado este proyecto. Las actividades que serán programadas en el marco de la primera edición del FIVC 2009 serán de carácter gratuito y se desarrollarán del 7 al 10 de enero en el MAVI en Santiago y del 14 al 17 de enero en el Centro de Extensión del CNCA en Valparaíso. Brisa MP Directora www.danzaeinterfacechile.com
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Application call« exercer les images » contemporary dance training programex.e.r.ce 09/10 is being shaped around the theme of “the image”, which will serve as a pivot forthe entire program. The image’s role in dance is multifarious. It is a wellspring for work,inspiration and references; it is a powerful tool for writing, memory and props.The ex.e.r.ce09/10 program will pursue three lines of research, exploring how dance has impacted the imageand how the image has impacted dance from a historical, technical, artistic and aestheticviewpoint. We are curious about what might emerge from this specific image relation into theframework of a dance training program that emphasizes research, tool-building, creating andperforming.the ex.e.r.ce 09/10 program is being led by Mathilde Monnier, choregrapher - Isabelle Launay,dance history doctor - Mark Tompkins, choregrapher, singer - Stéphane Bouquet, screenwriter,poet - Loïc Touzé, choregrapher .applicants futur dance artists and other people wishing to work in relation with this artisticfield aged over 20.Dance training program for students and professionalsIn face of the way choreography is evolving and the ever-increasing links among artists from different countries, cultures, age groups and backgrounds, we believe it is important to widen the scope of ex.e.r.ce’s applicants in order to enable experienced professionals to join ex.e.r.ce. The courses will be organized through three 12-week seminars. It will be possible to follow either the full program for student training or an 8-week seminar (full or part) for the professional training.application formswww.mathildemonnier.com until 5 december 2008
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